"In going away from that place, walking northward, I came upon a lonely house by the sea, a very beautiful house, made, it was clear, by an artist, of the bungalow type, with an exquisitely sea-side expression. I went to it, and found its special feature a spacious loggia or verandah, sheltered by the overhanging upper story. Up to the first floor, the exterior is of stone in rough-hewn blocks with a distinct batter, while extra protection from weather is afforded by green slating above. The roofs, of low pitch, are also covered with green slates, and a feeling of strength and repose is heightened by the very long horizontal lines. At one end of the loggia is a hexagonal turret, opening upon the loggia, containing a study or nook. In front, the garden slopes down to the sea, surrounded by an architectural sea-wall; and in this place I lived three weeks. It was the house of the poet Machen, whose name, when I saw it, I remembered very well, and he had married a very beautiful young girl of eighteen, obviously Spanish, who lay on the bed in the large bright bedroom to the right of the loggia, on her left exposed breast being a baby with an india-rubber comforter in its mouth, both mother and child wonderfully preserved, she still quite lovely, white brow under low curves of black hair. The poet, strange to say, had not died with them, but sat in the sitting-room behind the bedroom in a long loose silky-grey jacket, at his desk—actually writing a poem! writing, I could see, furiously fast, the place all littered with the written leaves—at three o'clock in the morning, when, as I knew, the cloud overtook this end of Cornwall, and stopped him, and put his head to rest on the desk; and the poor little wife must have got sleepy, waiting for it to come, perhaps sleepless for many long nights before, and gone to bed, he perhaps promising to follow in a minute to die with her, but bent upon finishing that poem, and writing feverishly on, running a race with the cloud, thinking, no doubt, 'just two couplets more,' till the thing came, and put his head to rest on the desk, poor carle: and I do not know that I ever encountered aught so complimentary to my race as this dead poet Machen, and his race with the cloud: for it is clear now that the better kind of those poet men did not write to please the vague inferior tribes who might read them, but to deliver themselves of the divine warmth that thronged in their bosom; and if all the readers were dead, still they would have written; and for God to read they wrote. At any rate, I was so pleased with these poor people, that I stayed with them three weeks, sleeping under blankets on a couch in the drawing-room, a place full of lovely pictures and faded flowers, like all the house: for I would not touch the young mother to remove her. And finding on Machen's desk a big note-book with soft covers, dappled red and yellow, not yet written in, I took it, and a pencil, and in the little turret-nook wrote day after day for hours this account of what has happened, nearly as far as it has now gone. And I think that I may continue to write it, for I find in it a strange consolation, and companionship."